Author: tyonce
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Atlanta Flute Club stuff
This year, I have the opportunity to serve as President of the Atlanta Flute Club. The responsibilities that go along with each of the activities we sponsor are fairly well-determined, as the same dedicated folks have streamlined the process over several years. This makes my job somewhat easier, so I can focus on other things…
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Technique stuff
If you are interested in following along with Sir James Galway as he overhauls his technique, check out the following video. He has issued a “Practice Challenge,” where flutists from presumably around the world will all be working out of the same technique book. He will be using Marcel Moyse’s Daily Exercises book. I will…
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Alexander Technique
I was first introduced to Alexander Technique about 10 years ago at a flute masterclass with Keith Underwood. It was a useful tool for discovering unhealthy habits and sources of muscular tension. Since that time, I haven’t pursued additional training in Alexander Technique, but I am realizing tension in my playing that I think can…
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Teaching non-music majors
It seems that, as young faculty members, the task of teaching non-music majors falls to us. My first college teaching gig wasn’t teaching applied flute (even though I have three degrees in the subject) – it was teaching music appreciation. It’s a real eye-opener to go from a graduate program, taking upper-level musicology seminars, to…
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Setting Expectations and Establishing a Culture
As the fall semester is very nearly here, it’s time for me to get my Flute Studio Syllabus together. My goal in creating my syllabus (besides appeasing the administration!) is to set expectations and establish a culture in flute studio for the year. Hopefully, by doing this at the very beginning, all of my students…
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Practicing Difficult Sections
What do you do when you’ve practiced that one difficult section over and over and over again, and it still isn’t right? It’s not fast enough, or smooth enough, or loud enough, or … It can be really frustrating when you’re making an honest effort to improve but you aren’t seeing results. Next time you…
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Perspective
Often, when you have been doing a considerable amount of practice, you suddenly feel like you’re getting much WORSE instead of better. In my experience, this is actually a good thing. You aren’t getting worse. It’s just that your ears are now more acutely aware of the things about your playing that could be improved.…
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B-flat options
I will readily admit that I’m a bit of a nut when it comes to playing B-flat on the flute. I’m always very deliberate when it comes to which fingering I choose for this note. It’s really important to make sure that you’re using the most advantageous fingering for the passage you’re playing to make sure…
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Breaking down practice
To follow up on my last blog post, Practicing: run-throughs vs. small chunks, here are some ways to break down your practice to get more work done in less time. I’ve chosen an example from the Rubank Elementary Method for Flute, but these ideas apply to all music at all levels of difficulty. Copyright by…
